An ongoing exploration of my current paintings and experiments.
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Autumn Poplars. Acrylc 18 by 24
Autumn is a subtle season in Vancouver, no flaming maples or hillsides ablaze with color. But it is still beautiful, with soft golds and greens blending against a pale sky.
Turkey was a fabulous country with inspiring architecture, and no buildings were more awesome than this one, built at the height of Byzantine power. I don't usually do paintings with such involved architectural drawings, but based on this one, I think I'll do more.
Because I am a bit of a masochist I have set a challenge for myself.. To paint two small (6 by 9 inch) watercolors per day in addition to anything else I will create. I want to continue this for at least a month. The goal of this experiment is to force me to treat my traditional subjects with new eyes and to push me to explore other ideas and subjects. Here are two of my first attempts. The idea of one summer and one fall painting came from Jack.
Buying watercolor brushes can be a confusing (and expensive) process. What size and shape? Natural hair or synthetic? Which brands of brush are better? I have been painting for many years and have strong preferences for my use but each artist is different and you may end up using a very different selection of brushes. The easiest way to approach brushes is by focusing on their function. What is the brush going to be used for? There are three main functions of brushes in watercolor. Broad washes (Skies, large areas of color) Details (Rigging in boats, eyes, patterns) Textures (Grass, hair, bark) While by no means an exhaustive list of uses I fine that most brushes fall into one of these categories. Natural or Syntheti...
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